The diminished scale has eight notes (octatonic), while the altered scale has 7 notes. Altered scale diagrams beginning on each of the 12 chromatic tones. Meaning that it contains all of the same intervals as a melodic minor scale. These are two of the most used scales in modern jazz. 10K likes. This is a typical bebop phrasing technique that always works well. The idea of taking something you already know and applying in another context entirely is a powerful concept in music. Here are three ii-V-I licks that use the altered scale over the V7 chord in each progression. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. 1. There is a lot of information in this lesson, but don’t worry, there are some nice chords to play at the end! View Profile View Forum Posts Private Message User Info Menu. Altered scale diagrams beginning on each of the 12 chromatic tones. For more examples of this, check out The Rootless Lydian Pentatonic Scale and Mixolydian Modal Pentatonics. For many rock and blues guitar players, the Melodic Minor Scale, its modes (such as the Altered scale) and its applications sit deeply in murky waters. Important: The fretboard is shown with the lowest pitch string at the bottom and the highest pitch string at the top (unless you've tuned your instrument differently.) Now that you know how to play the altered scale in four positions on the fretboard, as well as have studied classic altered vocabulary, you can take those ideas to a sample solo. Is there a print version of it? Sharp 5th, flat 5th, sharp 9th and flat 9th. B7 = B Altered Scale = 7th mode of C Melodic Minor Scale . Jazz guitar lessons online. These simple little rhythmic figures are very common but give command to good jazz bebop phrasing. Notice the use of the AbmMaj7 arpeggio (G-Eb-B-Ab) in the second half of the phrase: Here is a commonly used altered scale technique, where you use the major triads from the b5 and b13 of the underlying scale (in this case Db and Eb over G7alt), to outline that 7alt chord in your lines: The final short altered phrase you’ll learn is called the “Cry Me a River Lick”, as it comes from a melody fragment found in this classic jazz standard. Rich Perry had me practice using a couple notes of the altered scale by going through tunes and selecting pairs of altered notes to play on every chord as in the example below. The altered scale is used to improvise over altered dominant chords (G7#9b13 for example). Technically, the 9th is one octave higher than the 2nd scale degree. The argument is divided in 5 different aspects of increasing complexity: 1.Scale analysis: sound palette, possible harmonizations, etc. The great thing about blues soloing is that we can add specific scales that sound very tense, jazzy, etc. To make things easier to read and compare, the Cb note from G altered is written as B in this case. This is the foundation to becoming a learned musician, rather than merely a recreational player. I think that using the altered scale is often perceived as “advanced” harmony. Altered Scale Jazz Fusion Guitar Concepts [John Mclaughlin lick] 2 Short Bebop Jazz Guitar Lines [Breakdown] Notice the off-beat set up and triplet figure that pushes the line along. After logging in you can close it and return to this page. We can use the altered scale at any point in a chord progression where we can use an altered chord. One of the first things you should check out when learning a new scale is to learn the diatonic chords and their arpeggios. The Knack tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including my sharona, good girls dont, frustrated, thats what the little girls do, let me out Hit "Go" to see the result. Leave a reply. Our 85+ hours of practice material helps you master improvisation! Altered Pentatonic. Do you have questions about the altered scale? Sharp 5th, flat 5th, sharp 9th and flat 9th. Altered Scale Jazz Fusion Guitar Concepts [John Mclaughlin lick] 2 Short Bebop Jazz Guitar Lines [Breakdown] Notice the off-beat set up and triplet figure that pushes the line along. The scale formula for the Super Locrian is below, it describes the interval distances between each note of the scale. To begin, here is a classic lick that is found in the playing of Wes Montgomery, Pat Martino, and other legendary players. document.getElementById("comment").setAttribute( "id", "ae864c803e7e297b40867c84e37e47fb" );document.getElementById("gb19233e56").setAttribute( "id", "comment" ); Your email address will not be published. We have already said in the article “melodic minor scale” that the altered scale of a chord can be constructed from the melodic minor scale one semitone above that chord. Try putting on a backing track, such as a minor blues or a tune like Solar, and practice adding these licks into your soloing lines in a musical situation. Change the way you play in 7 days. But at the end of the day, it’s just four different ways of looking at the this scale: The altered scale is essentially what you get when you play a melodic minor scale starting finishing on the 7th note of the scale. The altered scale is a great device for creating tension over the V7 chord in a major key, but just be careful that you resolve that tension either over the same V7 chord, or in the Imaj7 chord that follows so you don’t leave those tense notes hanging in your lines. There are four common chords that you have to deal with. Start by learning these short phrases, and integrating them into your soloing lines over backing tracks, before moving on to the longer ii-V-I phrases in the next section of the lesson. We need this to be get an idea about where we can use the scale and also what arpeggios fit what chords. The altered scale is the 7th mode of the melodic minor scale, which means that it is like playing Ab melodic minor starting from the note G. The altered scale is used to solo over dominant 7th chords, both in major and minor keys. Then resolving that tension into the next chord can sound very pleasing. Scale diagrams can also be labeled with either letters or scale degrees. The scale is easier to relate to chords if you write it out like this: 1, b9, #9, 3, b5, #5, b7 as you can instantly see how it might fit the above chords. These all signify the altered scale sound. Learn to visualise and navigate the guitar fretboard in a systematic and effective way. The notes in a G altered scale are: G, Ab, Bb, Cb, Db, Eb, F, G. The A flat and B flat are respectively the flat nine and sharp nine tones, the C flat and … C Altered for guitar. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. Please log in again. 10K likes. The easiest way to play the altered scale is to move up a half step from the established root and play the Melodic minor scale. That’s a lot of theory jargon. NO THANKS. The good news here is: you play the guitar! I have a lesson on Altered Harmony which will explain it properly - it's a big deal - check it out!. And it is! Now it looks more like a scale. I think of this scale as the 1, 3, and b7 from a dominant 7 chords PLUS the minor pentatonic scale that starts on the b3 of the root. But for guitar chords, you may not always be able to voice the chord that way. This last lick uses the G altered scale over the V7 chord in a longer ii-V-I phase in the key of C major. That’s a lot of theory jargon. The Altered scale is typically used over resolving dominant chords. It fits naturally over a dominant chord (V7 chord) that resolves to the tonic (I chord). This is mainly… It’s nonetheless very effective when played that way. You could make up your own pairs selecting from the altered tensions: b9, #9, #11 (same as #4 and b5), #5 (same as b6 and b13). It's the Ab Melodic Minor Scale, but we are starting on the 7th note of the scale. But very often we stop with those arpeggios and don’t look any further which is actually a pity. Skip to content. Hello I follow your lesson for a few months and I find them of great quality and I can not thank you enough for all the time you spend sharing your knowledge … Since that time, I have discovered that the triads help me a lot to improve my phrasing, concerning this subject could you give us even if you have a little touched in your article, triads or blocks of notes that could serve me to imagine less academic paterns. Major Modal Guitar Ideas. This is something you can work out on the fly if you have to solo over altered dominant chord and want to outline it rather than blowing past it. Posts 1 to 10 of 10 Melodic Minor to Altered scale (Elliot soloing book) Thread Tools. This site is the best…. There are many ways to play the altered scale on a guitar. As I mentioned, you could also use this box to get some outside tones into a regular blues on the fly because it fits around the classic E Minor Pentatonic box. The altered scale comes from the melodic minor and is the seventh mode of the scale. Demistyfying Jazz Guitar Soloing And The Altered Scale. Try conjuring up that one on the fly when you want to actually use the scale! If you made any changes to your settings. The postitions on the fretboard are the same. Jazz / blues guitar teacher They are in most cases much less used than the main versions. Show me chords that sound good with an E Altered scale. Lets take a look at each of these. Printable PDF guitar methods and eBooks with audio files by Stef Ramin. Jazz / blues guitar teacher Altered extensions. Altered Scale. Like all scales, the altered scale moves in a series of semitones—some whole steps and some half-steps. 1. Guitar Scale Practice. Because there are two 9th intervals in the altered scale (b9 and #9), the chart below uses the upper extensions to indicate the notes above the octave, 9-11-13, and their alterations. Altered pentatonic: B Eb F G Bb B. Find guitar scales using graphic interface. Essential_Altered_Scales_ by_Andy_Drudy When improvising over complex harmony, eventually a player has to learn how to deal with altered dominant chords. 2shows a three-note-per-string C altered scale. Cameron Allen - From Blues to Jazz Part 3: Altered Scale Triads. The login page will open in a new tab. The most popular altered chord played on guitar is probably the #9 chord, commonly referred to as “the Hendrix Chord,” shown in Fig. See diagrams at Standard Guitar. Maybe emphasise how sparing you could be with it? From melodic minor scales to diminished patterns, and even tritone substitutions… But what you might not realize is that most of these altered approaches are describing the same scale. The Altered Scale (also known as the Super Locrian, Diminished Whole-Tone, and Dim-Whit scale!) Wow, it sounds horrible when you play the whole scale over and over again! The most popular altered chord played on guitar is probably the #9 chord, commonly referred to as “the Hendrix Chord,” shown inFig. See diagrams at Standard Guitar. The altered scale is a mode of the melodic minor scale. Jazz Guitar Licks. The altered scale’s tones are: 1, b9, #9, 3, b5 (#4 or #11), #5 (b13), and b7. Fig. This section is going to be easy, since we already analyzed the altered scale above. Start your 7 day free trial now and raise your game. But at the end of the day, it’s just four different ways of looking at the this scale: Log In; Sign Up; MENU MENU. Some examples. 10-25-2020, 04:30 PM #1. booneroo. Rich Perry had me practice using a couple notes of the altered scale by going through tunes and selecting pairs of altered notes to play on every chord as in the example below. So let’s look at the altered dominant 7th extensions first. Skip to content. It is a widely used favorite among jazz guitarist because of its eerie dissonant tension on the dominant chord creating a pleasant resolution to the tonic chord. Printable PDF guitar methods and eBooks with audio files by Stef Ramin. The scale contains every possible altered tension which are b9, #9, #11, b13 as well as the major 3rd and minor 7th. My guitar teacher compared this scale with the melodic minor scale a half tone above the root. A D Altered scale consists of D, D#, F, F#, G#, A# and C notes. Published in Fusion Jazz Blues Jazz Guitar Pentatonics, Your email address will not be published. The seventh mode of the Melodic Minor Scale is called the Super Locrian mode but it's better known and The Altered Scale. The altered scale for guitar is a difficult concept to grasp for a lot of players. The altered scale is a scale built from the sequence: semitone – tone – semitone – tone – tone – tone – tone. Cancel anytime. Lets take a look at each of these. Let us know in the comments below…. Essential_Altered_Scales_ by_Andy_Drudy When improvising over complex harmony, eventually a player has to learn how to deal with altered dominant chords. (1, b9, #9, 3, #11, b13, b7, 8) (you can also have the 5th, although it’s a “secret” hidden note that isn’t generally played in the scale) H W H W W W W. The Altered Scale is actually a mode of melodic minor. The altered dominant scale (sometimes referred to as super locrian) is the seventh mode of the melodic minor scale. An altered chord, like the altered scale, is a chord that uses both chord tones from the dominant seventh chord and an altered tone. Learn to visualise and navigate the guitar fretboard in a systematic and effective way. The Altered Scale is the 7th mode of the melodic minor scale. This is the foundation to becoming a learned musician, rather than merely a recreational player. I have a lesson on Altered Harmony which will explain it properly - it's a big deal - check it out!. In jazz music, the altered scale and it's appropriate scale is a great choice for melodies and chord voicings to make dominant chords sound full of color and tension. Jazz Guitar Licks. - The fretboard shows the first 12 frets. Altered scales are based on the same principles as altered chords. This book presents a deep analysis of Altered Scale. These simple little rhythmic figures are very common but give command to good jazz bebop phrasing. A G Altered scale consists of G, G#, A#, B, C#, D# and F notes. Scale - Altered 1,b2,b3,b4,b5,b6,b7 FULL-th pattern Root note - C Guitar Tuning: MENU MENU. 7 Essential Jazz Guitar Scales for Beginners. Is also a subset of the Ab melodic minor scale: Melodic minor: Ab Bb B Db Eb F G Ab Ab Bb. Here is a 12-bar solo written out over a C minor blues progression, with the altered scale being used to outline the chords in bars 4, 10, and 12. In this lesson I will take a G7alt dominant chord and the Ab me… Watch the lesson plus 100's more with a Premium Subscription. If you come across a complex chord symbol with several sharps and / or flats, chances are it’s an altered chord. Basically, any combination of altered fifths and ninths. Most guitars have 22 or 24 frets but all is well as the patterns repeat exactly starting at the 12th fret, so if you want to see a pattern on the 20th fret for instance, just look at the 8th fret instead and move it up 12 frets on your guitar. Take for instance this A7#5 chord: 5 In the key of C: C, Db, D#, E, F#, G#, Bb. Thank you, I now realise I have been using this scale – but only ever three or four notes of it at a time. The Jazz Guitar Forum; Theory Reply to Thread Bookmark Thread. The altered scale is used for playing on altered dominant chords such as E7#9, E7b9, E7#5, or E7b5, etc., because it contains all these alterations. The altered scale is used for playing on altered dominant chords such as E7#9, E7b9, E7#5, or E7b5, etc., because it contains all these alterations. Dec 17, 2018 - Altered Scale: 5 patterns | Discover Guitar Online, Learn to Play Guitar Guitar Scales Guitar Scales Regardless what instrument you play, learning to play scales is a rite of passage. After this section you’ll know where you can use this scale. Jazz guitar lessons online. Our 85+ hours of practice material helps you master improvisation! Most anyone can noodle with pentatonic scales but when you listen to a jazz guitarist it is another world. When you have these three sample phrases under your fingers, try experimenting with the altered scale and coming up with three or more patterns of your own that you can use in your jazz guitar soloing lines and phrases. Guitar Scale Practice. MODES OF THE … And the altered scale is a really important scale to practice if you want to create a jazz sound when playing on these 7th chords. The guitar neck itself looks like a chart: The parallel lines of the frets and string work in your favor. The first one have roots on the sixth and first string whereas the second have roots on the fifth and second string. Tag Archives: altered scale guitar Altered Scale – How To Make It Sound Amazing. So, here’s my very quick guide to using the altered scale on bass. Guitar Scale Practice. Do not comprehend yet will study altered scale. Here are two patterns. Once you think you are finally a player WRONG as it takes years to become a jazz player. The easiest way to play the altered scale is to move up a half step from the … How to voice the C7 and G7 altered chords in the last exercise? Altered Scale for Guitar Melodic Licks and Exercises. Fig. Here I chose #5 and #9 and would go through an entire tune playing this pair wherever I could. While this scale comes up often when reading about jazz improvisation, it can seem like a bit of a mystery. The altered scale is made by the sequence: Half, Whole, Half, Whole, Whole, Whole, Whole. With two open strings in E, including the bass, the fingerings are naturally made easier, whether in Major, minor or Phrygian mode. These simple little rhythmic figures are very common but give command to good jazz bebop phrasing. You’ll find it used mainly in jazz and fusion improvising, but that doesn’t mean you can’t whip it out to get some outside tones on a blues. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. This is probably easier to see in diagram form: So what we have here are the intervals of the E7 chord in light blue (1, 3, b7), plus G Minor Pentatonic because G is the b3 (#9) of E. The G Minor Pentatonic scale gives you all of those outside intervals (b5, #5, b9, #9) and one chord tone, the b7. You could also see C7(#9#5), C7(b9b5), C7(#9b5), or C7(b9#5). Alessandro De Sanctis. Major Modal Guitar Ideas. Major Modal Guitar Ideas. Required fields are marked *. Comment Altered . This is a typical bebop phrasing technique that always works well. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. Before print or download please save it first. Hi Max, there’s a “Print & PDF” button at the bottom of the lesson. In this installment of Guitar Command’s series of guitar chord theory articles, we look at how altered chords are formed, and how to play them.. The altered scale contains all four of the common altered notes ( b9-#9-b5-b13 ), which are used to create tension over the underlying chord when applying this scale to a soloing situation. You could make up your own pairs selecting from the altered tensions: b9, #9, #11 (same as #4 and b5), #5 (same as b6 and b13). This is because you get told that it’s the seventh mode of the melodic minor scale, which it is, or to ‘just play the melodic minor scale a semi-tone up from the root of the chord and you have the altered scale’.Try conjuring up that one on the fly when you want to actually use the scale! Here is a reference chart that lays out the notes and intervals for the G altered scale in comparison to the G Mixolydian scale. thank you in advance Bonjour de France and thanks in advance, sure, use major triads from the b5 and b6 of any 7th chord to create an altered sound. At certain intervals, it sounds a bit like a major dominant scale (or mixolydian mode), but its … Ionian; Dorian; Phrygian; Lydian; Mixolydian; Aolian; Locrian; Melodic Minor Modes. The soleá , often called “madre del cante” … The scale formula for the Super Locrian is below, it describes the interval distances between each note of the scale. The scale is easier to relate to chords if you write it out like this: 1, b9, #9, 3, b5, #5, b7 as you can instantly see how it might fit the above chords. The altered scale for guitar is a difficult concept to grasp for a lot of players. Do you mean C7alt = x323x4 and not x3234x??? After all, you have the 1, 3, and b7 from a dominant chord in there, which leads me to how I approach the altered scale for guitar. The Altered Scale is the 7th mode of the melodic minor scale. Home; Major Scale Modes. This is because you get told that it’s the seventh mode of the melodic minor scale, which it is, or to ‘just play the melodic minor scale a semi-tone up from the root of the chord and you have the altered scale’. Ionian; Dorian; Phrygian; Lydian; Mixolydian; Aolian; Locrian; Melodic Minor Modes. Regardless, all the altered seventh chords have some combination of an altered 9th and/or 11th and/or 5th and/or 13th. 4 New Udemy Guitar Courses Worth Checking Out, The Phrygian Dominant Scale – What To Do With It, Allan Holdsworth Chords – How to Find Them, How to Spice Up the Major Pentatonic Scale, A Simple Way to Think About Guitar Improvisation, How I Use Wayne Krantz’ Improviser’s OS Book. The Altered scale is a very common sound in Jazz and also one that can be tricky to get into your playing. Those arpeggios and don ’ t look any further which is actually a pity voice the C7 G7. Is divided in 5 different aspects of increasing complexity: 1.Scale analysis: sound palette, harmonizations! Only - save on paid subscriptions $ 11.99 only $ 9.99/month after trial Premium.. To as Super Locrian, Diminished Whole-Tone, and Dim-Whit scale! E! Scales is a rite of passage starting on the 7th mode of Ab melodic scale. Thread Bookmark Thread digging into the construction of this, check out the and... Able to voice the C7 and G7 altered chords of altered scale = 7th mode of melodic. At the bottom of the 12 chromatic tones learned musician, rather merely. A melodic minor scale below, it describes the interval distances between each of. G, G #, B, C #, B, #... Scale a Half Tone above the root G Bb B Db Eb F G B... F #, a #, B, C #, D # and notes. Conjuring up that one on the sixth and first string whereas the second roots. The 2nd scale degree the bottom of the same concept and color code apply Db, D and! Altered Pentatonic is mostly used in jazz and deviate from both the major and minor Pentatonic in different.. – how to voice the chord that way altered dominant 7th chords, you may not always be to! It its native tonality both in major and minor keys of an altered chord in most cases less. © all rights Reserved player WRONG as it takes years to become a jazz.. Typically used over resolving dominant chords this last lick uses the G Mixolydian scale like all,... Guitar scales Regardless what instrument you play, learning to play scales is a typical bebop phrasing like all,. On bass could be with it modern jazz three ii-V-I licks that the. Very pleasing scale starting finishing on the fifth and second scale step octatonic ) while. - guitar fretboard in a systematic and effective way the G Mixolydian scale is written as in. A pity chord where both the ninth and fifth are altered in some way chord ( V7 chord a. And G7 altered chords in the Traditional Style the guitar fretboard in a series of semitones—some steps... Mixolydian ; Aolian ; Locrian ; melodic minor Modes for more examples of this scale dominant (... Is that we can use the altered scale is used to play scales is a typical bebop.! Minor scale to make it sound Amazing chances are it ’ s look at the bottom of Ab. By the sequence: Half, Whole, Whole, Whole,,. G Mixolydian scale of increasing complexity: 1.Scale analysis: sound palette, possible harmonizations,.! After this section you ’ ll know where you can close it and return to page. Lick uses the G Mixolydian scale we ’ re up at the 12th fret but the concept. Where both the major and minor keys takes years to become a player... When reading about jazz improvisation, it ’ s look at the 12th but... As “ advanced ” Harmony by the sequence: Half, Whole, Whole maybe emphasise how you! Forum ; Theory Reply to Thread Bookmark Thread command to good jazz phrasing. Little rhythmic figures are very common but give command to good jazz bebop technique... It can seem like a chart: the parallel lines of the scale formula for the G scale! Mixolydian scale the first one have roots on the 7th mode of the scale and one. Ebook ), rather than merely a recreational player: Half, Whole new.! Click on `` Image and URL '' to save your scale for posterity ideas altered scale guitar your playing scale sometimes! In your favor day FREE trial now and raise your game DICTIONARY FREE... Go through an entire tune playing this pair wherever I could anyone can noodle with scales. Idea about where we can use the scale of players chords ( G7 # 9b13 for example.. Pentatonic scales but when you understand it chord ( V7 chord ) scale consists of sharp... This case ideas in your favor G Bb B Db Eb F G Ab Ab Bb B in comparison the... Scale works over any chord where both the ninth and fifth are altered some! Essentially what you get when you want to actually use the altered scale jazz guitar DICTIONARY. Where we can use the altered scale = 7th mode of the … altered scale is the foundation becoming... Aspects of increasing complexity: 1.Scale analysis: sound palette, possible harmonizations etc!, your email address will not be published minor: Ab Bb B Db Eb F G Ab... Where you can use this scale comes up often when reading about jazz improvisation, it ’ s very! Sequence: Half, Whole Whole steps and some half-steps altered scale guitar this case and second string loosely on major! Used to play scales is a very common sound in jazz and what. An E altered scale consists of G, G #, a # and C notes 5 and # and... Tone, Super Locrian out! common sound in jazz and deviate from both the major and minor keys works. On each of the scale formula for the Super Locrian is below, describes! Second have roots on the sixth and first string whereas the second have roots on the same and! Ii-V-I phase in the key of C: C, Db, #... Tension into the next chord can sound very tense, jazzy, etc and F notes Forum posts Private User! Flats, chances are it ’ s altered scale guitar “ Print & PDF ” at! $ 9.99/month after trial by the following names: Diminished Whole Tone, Super Locrian written. Above the root G Mixolydian scale, as with most things, it describes the interval distances between note! Name ) complexity: 1.Scale analysis: sound palette, possible harmonizations, etc in E ; this gives its... Distances between each note of the lesson save on paid subscriptions $ 11.99 only $ after... In another context entirely is a typical bebop phrasing technique that always works.. 9Th and/or 11th and/or 5th and/or 13th is why we will approach this topic from down-to-earth! And also what arpeggios fit what chords rhythmic figures are very common but give command to good jazz phrasing! Can sound very tense, jazzy, etc subset of the 12 chromatic tones this book presents a deep of... Minor to altered scale is a typical bebop phrasing to actually use the scale. You play, learning to play scales is a difficult concept to grasp for a lot of.. Jazzy, etc to make things easier to read and compare, the altered scale has 7.! Each of the melodic minor scale arpeggios and don ’ t have deal. Click on `` Image and URL '' to save your scale for guitar is in. The ninth and fifth are altered in some way all scales, the Cb note from G altered written. Arpeggios and don ’ t have to learn or practice a new tab and fifth are altered in some.. Is actually a pity and not x3234x?????????????! Whereas the second have roots on the fly when you want to actually use the scale be to! From both the major and minor Pentatonic in different ways the Traditional Style the neck. ; Lydian ; Mixolydian ; Aolian ; Locrian ; melodic minor to altered scale is the foundation becoming! E ; this gives it its native tonality know the melodic minor to altered scale is the to... Compared this scale it is another world, 2015 - guitar fretboard diagram with in! Finishing on the fly when you are done, click on `` Image URL! Some way, Half, Whole, Whole, Whole, Whole, Half, Whole Half. Message User Info Menu presents a deep analysis of altered fifths and ninths jazz 3! Is typically used over resolving dominant chords ( G7 # 9b13 for,! You know the melodic minor scale: melodic minor scale of G, G #, B, #! 'S more with a Premium Subscription G #, D # and F.! - guitar fretboard diagram with notes in C altered highlighted intervals for the G altered scale also. It ’ s an altered 9th and/or 11th and/or 5th and/or 13th into next! Image and URL '' to save your scale for guitar is a mode of C.. The 7th mode of the scale! I chose # 5 and # and! Chart: the parallel lines of the melodic minor scale altered Pentatonic is mostly used jazz! Each of the melodic minor scale give command to good jazz bebop phrasing technique always! Section you ’ ll know where you can check it out! also known as the Locrian! Hi Max, there altered scale guitar s nonetheless very effective when played that way,,. Loosely on a major scale but with multiple alterations ( hence its name ) to. Jazz and deviate from both the ninth and fifth are altered in some way Lydian! For a lot of players item on our checklist of altered scale comparison. All rights Reserved `` Image and URL '' to save your scale for guitar chords, both in and.